The History of Porn Part 2.

02/25/09


The History of Porn part 2

In the mid 1960s the first full color, high quality, pictures of explicit sex emerged out of Scandinavia. A colorful car salesman by the name of Berth Milton began publishing the infamous Private Magazine in 1965; it was the first periodical in the world to legally show sexual penetration. It at first began tamely, the first vagina did not appear until issue four, and the first man did not even appear until issue nine. Then the cum shot, heard round the world, came with issue 14 in the summer of 1968. By that time, the Danish capital of Ko had achieved international acknowledgment as the center of the world’s porn industry. Also in 1965, thirty-four-year old Robert Guccione, a Brooklyn-born artist and actor living in London, defied British censors to found Penthouse magazine. Four years later, after a great deal of difficulty in finding financial support and a distributor, Guccione launched the U.S. edition of the magazine as a rival to Playboy, which was already taking on the attitude of respectability. For years, "nudist" magazines like Jaybird had been going far further than Bob Guccione had dared to, while the homoerotic "physique" magazine publishers such like MANual Enterprises had already been winning court cases since the 1950s. The real outlaws, hippies and the homosexuals paved the way for the smut peddlers to take over. With the market, already saturated with girlie magazines, Guccione believed he had an ace up his sleeve: In April of 1970, Penthouse became the first American "men’s magazine" to show pubic hair.

It was the high quality Scandinavian stag films formed the transition to the full-blown adult feature. The acceptability of sex in art house films slowly increased throughout the 1960s, until the Motion Picture Association of America’s rating system was introduced replacing the old Hayes Code from the 1930s The Swedish film I Am Curious (Yellow), was seized by U.S. Customs in 1968, but was released in theaters the following year with the new X rating. The new ratings system legitimized the distribution of films that otherwise would not have been shown, and if anything, the X rating helped the movie’s box office receipts. I Am Curious grossed over $20 million in the United States, a huge take for a foreign film featuring endless discussion of Swedish politics interspersed with some simulated intercourse. The stag film and the art-house film intersected in Deep Throat, a full-length movie, shot on expensive thirty-five millimeter film, it had not only a plot and characters, but explicit sex as well. Deep Throat was shot in just six days on a budget of around $25,000. Though not the first such production, it was by far the most profitable. Deep Throat was one of the most profitable films of the 1970s, grossing $3.2 million by the end of 1972. It seemed for a while, that the success of Deep Throat and "porno chic" would create new possibilities for mainstream movies. In 1972, the New York Film Festival premiered Bernardo Bertolucci’s X-rated Last Tango in Paris, starring Marlon Brando and the openly bisexual, barely twenty-year-old Maria Schneider. However, the revolution never actually arrived; producing a film in the vein of Last Tango was not a risk that American filmmakers were willing to take.

While the ratings system had made owners more comfortable, it had no legal standing so far as the obscenity laws were concerned. In 1967, Denmark became the first Western country to rescind all laws against pornography. The decision made news around the world, especially when government statistics showed a decrease in sex crimes the year after the abolition. Alex deRenzy and a partner traveled to Copenhagen to film Denmark’s first sex fair and in 1969 they released the first feature film showing sexual intercourse called Censorship in Denmark. Made for $15,000, the documentary grossed $25,000 the first week on its way to an eventual box office of over $2 million. Documentaries first broke through the hardcore feature barrier in 1969 in San Francisco with Censorship in Denmark. Sexual Freedom in Denmark from LA’s John Lamb followed in 1970. In New York that same year, Gerard Damiano made SEX U.S.A. starring Linda Lovelace and Harry Reems. While Donn Greer’s film 101 Acts of Love gives the education approach. Alex deRenzy gathered classic stags into A History of the Blue Movie followed by Bill Osco’s inferior Hollywood Blue. The first advertised porn feature in the major New York newspapers was Mike Henderson’s Electro Sex ‘75 released on Labor Day weekend 1970. Freddy Hanson made Animal Lover in Denmark with a farm girl Bodille having sex with a dog, pig and horse.

New York’s (then) Mayor John Lindsay decided in late 1972, that it was time to once again clean up Times Square. Through academic endorsement, the porn film produced with $25,000 of Mafia money became high art. UCLA film professor and Saturday Review film critic Arthur Knight testified for the defense."This is one of the first sexploitation films to show that a woman’s sexual gratification is as important as a man’s." sex researcher John Money said that "It puts an eggbeater in people’s brains and enables them to think afresh about their attitudes and values". The court apparently agreed Judge Joel J. Tyler remarked: "It’s worthwhile to me, if nothing else happens, to have gotten this education,", after one witness had to explain to him exactly what the "missionary position" was. Prosecution witnesses included a retired psychologist Max Levin who said that the film’s "anatomical absurdity," distorted "the true nature of female sexuality," because "vaginal orgasm is superior to the clitoral." Worse than pointing out his adherence to outdated Freudian doctrine, Newsweek strongly implied that Dr. Levin, symbol of the, was senile. Dr. Levin, who was seventy-one and partially deaf, was excused from further testimony after it turned out that he had confused Deep Throat with some of the other short films that were shown with it. Another witness for the prosecution, named Ernest van den Haag a psychoanalyst, compared porn makers to Nazis, arguing that pornography caused progressive desensitization, “until one would be willing to put another person in a concentration camp or exploit his teeth and hair."

 

Judge Tyler sided with old school of morality, and declared on March 1, 1973 that Deep Throat was "the nadir of decadence" and fining the Mature World Theater $3 million. Though it was a hollow victory for censorship, the Hollywood establishment was afraid of the heat, Deep Throat’s box-office success had created an entire new shadow industry. Behind the Green Door, starring Marilyn Chambers, whose likeness had once adorned Ivory Soap boxes, which was received ardently at the Cannes Film Festival and went on to become the second highest-grossing pornographic movie of all time. Deep Throat director Gerard Damiano, meanwhile, achieved another success with The Devil in Mrs. Jones. Countless other films followed, beginning a "golden age of porn" that lasted until the 1980s, when the growing affordability of video-cassette players heralded the death of movies shot on film for theaters, and the rise of cheaply-produced videos.

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Short Timer: Eight Months in Club Fed

02/20/09

Short Timer

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St. Valentines Day massacre

02/14/09

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via FoxyTunes    [close] Wikipedia Main Page | About | Help | FAQ | Special pages | Log out The Free Encyclopedia Languages: Deutsch | Español | Français | Bahasa Indonesia | Italiano | עברית | Nederlands | 日本語 | Русский | 中文 Categories: 1929 crimes | 1929 in the United States | Chicago Outfit | Deaths by firearm in Illinois | History of Chicago, Illinois | History of the United States (1918–1945) | Organized crime events | Prohibition | Unsolved murders | Crime in Chicago, Illinois | Murdered mobsters | Murder in Illinois Hidden categories: Articles that may contain original research since March 2008 | All articles that may contain original research | All articles with unsourced statements | Articles with unsourced statements since February 2009 | Articles with unsourced statements since May 2008 Printable version | Disclaimers | Privacy policy Saint Valentine’s Day massacre From Wikipedia, the free encyclopedia For other uses, see Saint Valentine’s Day massacre (disambiguation). This article may contain original research or unverified claims. Please improve the article by adding references. See the talk page for details. (March 2008) Aftermath of the St. Valentine’s Day Massacre The Saint Valentine’s Day massacre is the name given to the death of seven people as part of a Prohibition Era conflict between two powerful criminal gangs in Chicago, Illinois, in the winter of 1929: the South Side Italian gang led by Al Capone and the North Side Irish gang led by Bugs Moran. Former members of the Egan’s Rats gang were also suspected to have played a large role in the St. Valentine’s Day massacre, assisting Capone. Contents [hide] * 1 The Massacre * 2 The victims * 3 The investigation * 4 Aftermath * 5 The Bolton revelations * 6 Other suspects * 7 The murder weapons * 8 The crime scene and bricks from the murder wall * 9 Fictional depictions and allusions * 10 References * 11 External links [edit] The Massacre On the morning of Thursday, February 14, 1929 St. Valentine’s Day, six members of the "Bugs" Moran gang and Dr. Reinhardt H. Schwimmer were lined up against the rear inside wall of the garage of the SMC Cartage Company (2122 North Clark Street) in the Lincoln Park neighborhood of Chicago’s North Side. They were then shot and killed by the men, possibly members of Capone’s gang, possibly "outside talent", most likely a combination of both. Two of the men were dressed as Chicago police officers, and the others were dressed in long trenchcoats, according to witnesses who saw the "police" leading the other men at gunpoint out of the garage (part of the plan). When one of the dying men, Frank Gusenberg, was asked who shot him, he replied, "I’m not gonna talk – nobody shot me." Capone himself had arranged to be on vacation in Florida. The St. Valentine’s Massacre resulted from a plan devised by a member or members of the Capone gang to eliminate the Polish Bugs Moran, the boss of the North Side Gang, formerly headed up by Dion O’Banion, who was murdered nearly five years earlier. Jack McGurn is the person most frequently cited by researchers as a suspected planner. The massacre was planned by the Capone mob for a number of reasons; in retaliation for an unsuccessful attempt by Frank and his brother Peter Gusenberg to murder Jack McGurn earlier in the year; the North Side Gang’s complicity in the murder of Pasqualino "Patsy" Lolordo as well as Antonio "The Scourge" Lombardo, and Bugs Moran’s muscling in on a Capone-run dog track in the Chicago suburbs. Also, the rivalry between Moran and Capone for control of the lucrative Chicago bootlegging business led Capone to plan the hits and the O’Banion’s gang demise. The plan was to lure Moran and his men to the SMC Cartage warehouse on North Clark Street. It is assumed usually that the North Side Gang was lured to the garage with the promise of a cut-rate shipment of bootleg whiskey, supplied by Detroit’s Purple Gang. However, some recent studies dispute this. All seven victims (with the exception of John May) were dressed in their best clothes, hardly suitable for unloading a large shipment of whiskey crates and driving it away. The real reason for the North Siders gathering in the garage may never be known for certain. A four-man team would then enter the building, two disguised as police officers, and kill Moran and his men. Before Moran and his men arrived, Capone stationed lookouts in the apartments across the street from the warehouse. Wishing to keep the lookouts inconspicuous, Capone had hired two unrecognizable thugs to stand watch in rented rooms across the street from the garage. At around 10:30 a.m. on St. Valentine’s day, four men arrived at the warehouse in two cars: a Cadillac sedan and a Peerless, both outfitted to look like detective sedans. Two men were dressed in police uniforms and two in street clothes. The Moran gang had already arrived at the warehouse. However, Moran himself was not inside. One account states that Moran was supposedly approaching the warehouse, spotted the police car, and fled the scene. Another account was that Moran was simply late getting there. The lookouts allegedly confused one of Moran’s men (most likely Albert Weinshank, who was the same height, build and even physically resembled Moran) for Moran himself: he then signaled for the gunmen to enter the warehouse. The two phony police, carrying shotguns, exited the Peerless and entered the warehouse through the two rear doors. Inside they found members of Moran’s gang, a sixth man named Reinhart Schwimmer who was not actually a gangster, but more of a gang "hanger-on" and a seventh man, John May, who was a mechanic fixing one of the cars, and technically not a member of the gang, but an occasionally hired mechanic. The killers told the seven men to line up facing the back wall. There was apparently not any resistance, as the Moran men thought their captors were real police, and it was likely a "show" bust merely to garner good press for the police department. Then the two "police officers" let in two men through the front door facing Clark Street. This pair, riding in the Cadillac, were dressed in civilian clothes. Two of the killers started shooting with Thompson sub-machine guns, one containing a 20-round magazine and the other a 50-round drum. All seven men were killed in a volley of seventy machine-gun bullets and two shotgun blasts according to the coroner’s report. To show bystanders that everything was under control, the men in street clothes came out with their hands up, prodded by the two uniformed cops. The only survivor in the warehouse was John May’s German Shepherd, Highball. When the real police arrived, they first heard the dog howling. On entering the warehouse, they found the dog trapped under a beer truck and the floor covered with blood, shell casings, and corpses. Photographs of the scene were taken immediately after the shooting by Jun Fujita and published in the Chicago Daily News. [edit] The victims The seven men killed that morning were: * Peter Gusenberg, a front line enforcer for the Moran organization. * Frank Gusenberg, the brother of Peter Gusenberg and also an enforcer. Frank was miraculously still alive when police first arrived on the scene. He died three hours later, saying only, "Nobody shot me." * Albert Kachellek, alias "James Clark", Moran’s second-in-command. * Adam Heyer, the bookkeeper and business manager of the Moran gang. * Reinhart Schwimmer, an optician who had abandoned his practice to gamble on horse racing (unsuccessfully) and associate with the Moran gang. He would, in contemporary parlance, be referred to as a "gang groupie". Though Schwimmer called himself an "optometrist" he was actually an optician (an eyeglass fitter) and he had no medical training. * Albert Weinshank, who managed several cleaning and dyeing operations for Moran. His physical and even clothing resemblance to Moran is what allegedly set the massacre in motion before Moran actually arrived. * John May, an occasional car mechanic for the Moran gang, though not a gang member himself. May had two earlier arrests for safeblowing (no convictions) but was attempting to work legally. However, his desperate need of cash, with a wife and seven children, caused him to accept jobs with the Moran gang as a mechanic. [edit] The investigation The slaughter exceeded anything yet seen in the United States at that time. At first, it was thought that police may have indeed been responsible for the killings, but 255 detectives were soon cleared. Chicago Police scrambled to figure out who had been responsible. Since it was common knowledge that Moran was hijacking Capone’s Detroit-based liquor shipments, police focused their attention on the Purple Gang. Mug shots of Purple members George Lewis, Eddie Fletcher, Phil Keywell and his kid brother Harry, were picked out by the landlady across the street as the phony roomers. Later, the women who identified them wavered, and, Fletcher, Lewis, and Harry Keywell were all questioned and cleared by Chicago Police. Nevertheless, the Keywell brothers (and by extension the Purple Gang) would remain ensnared in the massacre case for all time. A week after the massacre, a 1927 Cadillac sedan was found disassembled and partially burned in a garage on Wood Street. It was determined that the car was used by the massacre killers. The garage was located two blocks from the Circus Café, which was operated by Claude Maddox, a former St. Louis gangster and member of the Capone mob. Detectives checking leads in St. Louis discovered that former members of the Egan’s Rats mob may have played a part. They soon announced they were seeking Fred "Killer" Burke and James Ray as the two uniformed police officers in the garage. Burke and other members of the mob had been known to use police uniforms to lull victims. Police also proposed that Joseph Lolordo may have been one of the machine gunners, mostly likely because his brother Pasqualino had recently been murdered by the North Side Gang. Police also announced they suspected Capone gunmen John Scalise and Albert Anselmi, as well as Jack McGurn himself, and Frank Rio, a Capone bodyguard. Police eventually charged McGurn and Scalise with the massacre. John Scalise was murdered before he went to trial and the charges against Jack McGurn were downgraded to a violation of the Mann Act, stemming from taking the main witness against him, girlfriend Louise Rolfe (who became known as the "Blonde Alibi"), across state lines to marry. The case stagnated until December 14, 1929, when Berrien County sheriffs raided the St. Joseph, Michigan bungalow of “Frederick Dane”. Dane had been the registered owner of a vehicle driven by Fred "Killer" Burke. Burke had been drinking and rear-ended another vehicle in front of the police station. Officer Charles Skelly ran outside to investigate. When Burke attempted to drive away, Officer Skelly hopped on the running board and was shot off. He died of his wounds a short time later. When police raided Burke’s bungalow, they found a bulletproof vest, bonds recently stolen from a Wisconsin bank, two Thompson submachine guns, pistols, and thousands of rounds of ammunition. Both machine guns were determined to have been used in the massacre. Unfortunately, no further concrete evidence would surface in the massacre case. Burke would be captured over a year later on a Missouri farm. As the case against him in the murder of Officer Skelly was strongest, he was tried in Michigan and would be sentenced to life imprisonment. Fred Burke died in prison in 1940. [edit] Aftermath Public outrage over The St. Valentine’s Day Massacre marked the beginning of the end to Moran’s power. Although Moran suffered a heavy blow, he still managed to keep control of his territory until the early 1930s, when control passed to the Chicago Outfit under Frank Nitti. The massacre also brought the belated attention of the federal government to bear on Capone and his criminal activities. In 1931, Capone was convicted of income tax evasion and was imprisoned for 11 years. The massacre ultimately affected both Moran and Capone and left the war they had with each other a stalemate. The massacre did severely cripple the North Side gang, a blow from which they never fully recovered. But the primary target of the massacre, Moran, escaped, and the public and police pressure brought to bear on the Capone organization hampered their operation almost as badly. Though Jack McGurn would beat the massacre charges, he would be murdered himself on February 15, 1936. The two most widely accepted theories credit either Bugs Moran or the Chicago Outfit itself under Frank Nitti with the killing, as McGurn had become a public relations liability to the Outfit. [edit] The Bolton revelations On January 8, 1935, Federal Bureau of Investigation (FBI) agents surrounded a Chicago apartment building at 3920 North Pine Grove, looking for the remaining members of the Barker-Karpis Gang. A brief shootout erupted, resulting in the death of bank robber Russell Gibson. Also taken into custody were Doc Barker, Byron Bolton and two women. When agents began interrogating the two men, they got nothing of value from Dock Barker, but Bolton (a hitherto obscure criminal) proved to be a “geyser of information” as one crime historian put it. A former Navy machine gunner and member of the old Egan’s Rats gang, Bolton had for years been the valet and sidekick of a slick Chicago hit man named Fred Goetz, who was also known as “Shotgun George” Ziegler. Byron had been party to many of the Barker Gang’s crimes, and even pinpointed the Florida hideout of Ma and Freddie Barker (who were killed in a shootout with the FBI a week later). Bolton kept on talking, and to the agents’ surprise, claimed to have taken part in the St. Valentine’s Day Massacre with his pal Goetz, Fred Burke, and several others. The FBI (having no jurisdiction in a state murder case) attempted to keep Bolton’s revelations confidential, until the Chicago American newspaper somehow got their hands on a second-hand version of the bank robber’s confession. The newspaper declared that the crime had been “solved”, despite being stonewalled by J. Edgar Hoover and the Bureau, who did not want any part of the massacre case. Garbled versions of Bolton’s story went out in the national media. Pieced together, his tale went like this: Bolton claimed that the murder of Bugs Moran had been plotted in “October or November” 1928 at a Couderay, Wisconsin resort owned by Fred Goetz. Present at this meet were Goetz, Al Capone, Frank Nitti, Fred Burke, Gus Winkeler, Louis Campagna, Daniel Serritella, and William Pacelli. The men stayed two or three weeks, hunting and fishing when they weren’t planning the murder of their rival. Byron Bolton claimed he and Jimmy Moran (or Morand) were charged with watching the S.M.C. Cartage garage and phoning the signal to the killers at the Circus Café when Moran arrived at the meet. Police had indeed found a letter addressed to Bolton in the lookout nest (and possibly a vial of prescription medicine.) Bolton guessed that the actual killers had been Burke, Winkeler, Goetz, Bob Carey, Raymond Nugent, and Claude Maddox (four shooters and two getaway drivers). Bolton gave an account of the massacre different from the one generally told by historians. He claimed that he saw only “plainclothes” men exit the Cadillac and go into the garage. This indicates that a second car was used by the killers. One witness, George Brichet, claimed to have seen at least two uniformed men exiting a car in the alley and entering the garage through its rear doors. A Peerless sedan had been found near a Maywood house owned by Claude Maddox in the days after the massacre, and in one of the pockets was an address book belonging to victim Albert Weinshank. Bolton’s mistake was when he mistook one of Moran’s men for the man himself, after which he telephoned the signal to the Circus Café. When the killers (who had expected to kill Moran and maybe two or three of his men) were unexpectedly confronted with seven men, they simply decided to kill them all and get out fast. Bolton claimed that Capone was furious with him for his mistake (and the resulting police pressure) and threatened to kill him, only to be dissuaded by Fred Goetz. His claims were corroborated by Gus Winkeler’s widow Georgette, in both an official FBI statement and her memoirs, which were published in a four-part series in a true detective magazine during the winter of 1935-36. Mrs. Winkeler revealed that her husband and his pals had formed a special crew used by Capone for high-risk jobs. The mob boss was said to have trusted them implicitly and nicknamed them the “American Boys”. Byron Bolton’s statements were also backed up by William Drury, a maverick Chicago detective who had stayed on the massacre case long after everyone else had given up. Bank robber Alvin Karpis later claimed to have heard second-hand from Ray Nugent about the massacre and that the “American Boys” were paid a collective salary of $2,000 a week plus bonuses. Karpis also claimed that Capone himself told him while they in Alcatraz together that Goetz had been the actual planner of the massacre. Despite Byron Bolton’s statements, no action was taken by the FBI. All the men he named, with the exceptions of Burke and Maddox, were all dead by 1935. Bank robber Harvey Bailey would later complain in his 1973 autobiography that he and Fred Burke had been drinking beer in Calumet City at the time of the massacre, and the resulting heat forced them to abandon their bank robbing ventures. Claude Maddox was questioned fruitlessly by Chicago Police, and there the matter lay. Crime historians are still divided on whether or not the “American Boys” committed the St. Valentine’s Day Massacre. [edit] Other suspects Over the years, many mobsters, in and out of Chicago, would be named as part of the Valentine’s Day hit team. Two prime suspects are Capone hit men John Scalise and Albert Anselmi; both men were lethal killers and are frequently mentioned as possibilities for two of the shooters. In the days after the massacre, Scalise was heard to brag, “I am the most powerful man in Chicago.” He had recently been elevated to the position of vice-president in the Unione Siciliana by its president, Joseph Guinta. Nevertheless, Scalise, Anselmi, and Guinta would be found dead on a lonely road near Hammond, Indiana on May 8, 1929. Gangland lore has it that Al Capone had discovered that the pair was planning on betraying him. At the climax of a dinner party thrown in their honor, Capone produced a baseball bat and beat the trio to death. One recent addition to the roll of suspects is Tony Accardo, then a twenty-two year old gangster and driver for Jack McGurn. Many years later, Accardo would boast to his fellow gangsters that he had taken part (FBI agent William Roemer overheard him on a wiretap.) Most historians believe that while Accardo may have played a peripheral role in the murders, he was probably not one of the actual shooters. Another suspect was future mob boss Sam Giancana, then a twenty-year old member of the 42 Gang. Giancana was arrested in the days after the massacre on a charge of general investigation, and most familiar with the case don’t believe he played a major role. New York mob informant Dominick Montiglio would later claim in the book Murder Machine that his uncle Anthony ‘Nino’ Gaggi, intimated that his uncle Frank Scalise had been one of the killers in the massacre. While not likely, this shows how the massacre continues to capitivate people to this day. Some people today speculate that perhaps Capone really was innocent after all. Maybe it was a bunch of crooked cops or an internal beef amongst the Moran Gang. One historian suspects a bunch of "hillbilly gangsters."[citation needed] The true identities of the shooters may never be known with certainty. [edit] The murder weapons The two Thompson submachine guns (serial numbers 2347 and 7580) found in Fred Dane’s (an alias for Fred Burke) Michigan bungalow were personally driven to the Chicago coroner’s office by the Berrien County DA. Ballistic expert Calvin Goddard tested the weapons and determined that both had been used in the massacre. One of them had also been used in the murder of Brooklyn mob boss Frankie Yale, which confirmed the NYPD’s long-held theory that Burke, and by extension Al Capone, had been responsible for Yale’s death. Gun No. 2347 had been originally purchased on November 12, 1924 by Les Farmer, a deputy sheriff in Marion, Illinois, which happened to be the seat of Williamson County. Marion and the surrounding area were then overrun by the warring bootleg factions of the Shelton brothers and Charlie Birger. Deputy Farmer was documented as having ties with the Egan’s Rats gang, based 100 miles away in St. Louis. By the beginning of 1927 at the very latest, the weapon had wound up in Fred Burke’s possession. It’s possible he used this same Tommygun in Detroit’s Milaflores Massacre on March 28, 1927. Gun No. 7580 had been sold by Chicago sporting goods owner Peter von Frantzius to a Victor Thompson (aka Frank V. Thompson) in the care of the Fox Hotel of Elgin, Illinois. Some time after the purchase the machine gun wound up with James "Bozo" Shupe, a small-time hood from Chicago’s West Side who had ties to various members of Capone’s Outfit. Both submachine guns are currently in the possession of the Berrien County Sheriff’s Department in St. Joseph, Michigan. [edit] The crime scene and bricks from the murder wall The garage, which stood at 2122 N. Clark Street, was demolished in 1967; the site is now a landscaped parking lot for a nursing home. There is still controversy over the actual bricks used to build the north inside wall of the building where the mobsters were lined up and shot. They were claimed to be responsible, according to stories, for bringing financial ruin, illness, bad luck and death to anyone who bought them.[1] The bricks from the bullet-marked inside North wall were purchased and saved by Canadian businessman George Patey in 1967.[citation needed] His original intention was to use it in a restaurant that he represented, but the restaurant’s owner didn’t go for the idea. Patey ended up buying the bricks himself, outbidding three or four others. Patey had the wall painstakingly taken apart and had each of the 414 bricks numbered, then shipped them back to Canada. There are various different reports about what George Patey did with the bricks after he got them. In 1978, Time Magazine reported that Patey reassembled the wall and put it on display in a wax museum with gun-wielding gangsters shooting each other in front of it to the accompaniment of recorded bangs. The wax museum later went bankrupt. Another source, an independent newspaper in the UK, reported in February 2000 that the wall toured shopping malls and exhibitions in the United States for a couple of decades. In 1968 Patey stopped exhibiting the bricks and put them into retirement. Patey opened a nightclub called the Banjo Palace in 1971. It had a Roaring Twenties theme. The famous bricks were installed inside the men’s washroom with Plexiglas placed right in front of it to shield it, so that patrons could urinate and try to hit the targets painted on the Plexiglas. In a 2001 interview with an Argentinian journalist, Patey said, "I had the most popular club in the city. People came from high society and entertainment, Jimmy Stewart, Robert Mitchum." The bricks were placed in storage until 1997 when Patey tried to auction them off on a website called Jet Set On The Net. The deal fell through after a hard time with the auction company. In 1999, Patey tried to sell them brick by brick on his own website. The last known substantial offer for the entire wall was made by a Las Vegas casino but Patey refused the $175,000 offer.[citation needed] Patey died on December 26, 2004, having never revealed how much he paid to buy the bricks at auction. [edit] Fictional depictions and allusions * The massacre was used as a plot device in the 1959 film Some Like it Hot and was the subject of Roger Corman’s 1967 film The St. Valentine’s Day Massacre. This film, possibly the most well-known of all portrayals of the incident, is a mixture of solid historical facts and absolute fiction. * The massacre is also featured in a scene from the original Scarface. * In the "Diamond Brothers" book "Public Enemy Number Two" by Anthony Horowitz, the antagonist Johnny Powers is talking about how his mother (a criminal) makes good cooking, for instance moussakas. Johnny says she "sent him one back in February", to which Nick Diamond replies "The St Valentine’s day moussaka?" * The TV series Early Edition included a final season episode named “Everybody Goes to Rick’s” whose story was based around this event. * Ska artist Mark Foggo made an album and a song called "St Valentines Massacre" * It also inspired the song "Valentine’s Day" by singer/song-writer James Taylor and rapper 50 Cent’s 2005 album The Massacre. * It also gave its name to WWF St. Valentine’s Day Massacre, a pay per view event held in 1999. * In an episode of The Simpsons (Bart the Murderer) aired October 10, 1991, there is a reference to the massacre when Bart shows Fat Tony an Itchy & Scratchy cartoon where Itchy lines up a bunch of cats in front of a wall and shoots them with a machine gun. Fat Tony then replies (laughing) "It’s funny because it’s true." And the character of Johnny Tightlips, who hardly gives any information to anyone, even his own gang, is based on Frank Gusenberg. His catchphrase is "I ain’t sayin’ nothin’," which he says even after he has been shot by a stray bullet, and was asked where it hit. * In an episode of the TV show MAS*H, the staff of the 4077th are trying to pick a date that their families can get together for a party back home. BJ Hunnicutt suggests Valentine’s Day and Dr. Charles Emerson Winchester sarcastically replies: "Perfect, they can meet in a garage in Chicago!" * The 1991 movie Oscar, starring Sylvester Stallone, includes a reference to the massacre as well. Stallone plays "Snaps" Provolone, a prominent gangster in Chicago in 1931. In a scene early in the movie, his accountant reminds him, "You were in Chicago… It was Saint Valentine’s Day," at which Stallone and one of his goons exchange a knowing smile and a chuckle. * The nickname of the "St. Valentine’s Day massacre" has also been used to refer to the sixth, and final match-up, between boxers Sugar Ray Robinson and Jake LaMotta. This is due to the fact that it took place on Valentine’s Day in 1951, and because of the beating that LaMotta took, which caused the fight to be stopped in the 13th round. * In the web comic Sluggy Freelance, a Valentines Day card is given to Zoe that says "Happy Saint Valentines Day… Massacre!" The card also has a depiction of bun-bun with a machine gun and several blood stains on a brick wall. * In a Calvin and Hobbes comic strip, Hobbes teases Calvin about liking Suzie while Suzie walks up and yells at Calvin for sending her a mean Valentine. Calvin says, "I’d say we’re about due for another Saint Valentine’s Day massacre." * Wu-Tang Associate/Rapper Cilvaringz has a song called "Valentine’s Day Massacre". * In an episode of The Golden Girls titled "Valentine’s Day", Sophia recalls a Valentine’s Day spent with her husband and father while on a road trip in 1929. While in Chicago their car breaks down right before the massacre. The mechanic killed in the massacre is shown lending his tools to Sophia’s husband. * At the Disney’s Hollywood Studios’ Great Movie Ride attraction a set of the ride is Chicago in the 1920s where a shootout takes place. One of the gangster’s cars has a license plate of 021429, the date of the St. Valentine’s Day Massacre. * Since 1963, an annual route-finding contest played out entirely on Rand McNally Road Atlases is called the St Valentine’s Day Massacre, as entrants must register by February 14.[2] * 50 Cent’s second major label album "The Massacre" was initially titled "The St. Valentine’s Day Massacre". * Bungie is releasing a Valentine’s day hopper (In matchmaking) for Halo 3 called "Valentine’s Day Massacre". * Nike recently released a skateboarding shoe designed by Paul Rodriguez titled "Valentine’s day Massacre" * An annual golfing fixture played between the American Golf Association (AGA) Delhi and the British Golf Society (BGS) Delhi is called the St. Valentine’s Day Massacre. * "Valentine’s Day Massacre" is the title of a song by Rustic Overtones featuring Imogen Heap on the album Viva Nueva. * The upcoming movie The Untouchables: Capone Rising will feature a heavily fictionalised version of the massacre, with fictional police detective Jim Malone (played by Sean Connery in the original movie and by Gerard Butler in the prequel) leading the Irish Gangsters against Al Capone in revenge for Capone killing a witness he had promised not to harm. * "The St. Valentines Day Massacre" is a song by Starling Electric off their 2005 album Clouded Staircase. [edit] References 1. The St. Valentine’S Day Massacre 2. Old Maltese’s Competitions: Massacre, Trophy Dash, Almaniac, and Fireworks 3. The Chicago Shimpo newspaper, The Chicago Japanese American News, Friday, October 10, 2008 volume 6732 page 7. * Helmer, William and Arthur J. Bilek. The St. Valentine’s Day Massacre: The Untold Story Of The Bloodbath That Brought Down Al Capone Nashville: Cumberland House, 2004. [edit] External links * Haunted Chicago * Mystery.net * FBI file * FBI file * Mario Gomes Capone Museum * MisterCapone.com. Official Site of Mr. Capone author, Robert J. Schoenberg [hide] v • d • e City of Chicago Architecture · Climate · Colleges and Universities · Community Areas · Culture · Demographics · Economy · Flag · Geography · Government · History · Landmarks · Media · Music · Neighborhoods · Parks · Public Schools · Skyscrapers · Sports · Theatre Flag of Chicago See also: Chicago metropolitan area Coordinates: [show location on an interactive map] 41°55′15″N 87°38′16″W / 41.92083°N 87.63778°W / 41.92083; 87.63778 Retrieved from "http://en.wikipedia.org/wiki/SaintValentine%27sDay_massacre" This page was last modified on February 14, 2009, at 04:44. All text is available under the terms of the GNU Free Documentation License. (See Copyrights for details.) Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a U.S. registered 501©(3) taxdeductible nonprofit charity. 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Idiots Journal

02/04/09

Idiots Journal

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Bad Company

02/02/09

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Bad Company

               

I stared into its cold eyes as it scanned me up and down. It weaves its outstretched neck around my bike eying J.J. carefully. She sticks out her tongue as a response.

“Ppphhhbbttt!”

The machine does not respond. It is a SR7800 Border guard. Equipped with a 180 caliber Pendleton, four barrels, with armor piercing shells, it has hypersensitive optical x-rays and can detect 1.800,000,000,000 viral codes. It is a relic from the Code Wars, the company should replace them, but who would dare attack Soni-Metro. Soni-Metro is the largest corporate town in the South West, not to mention the home of Soni-Alpha, the second largest mega-corp. on Earth. I am a Soni-Boy, an old fashion code runner, one of the last. J.J. is my partner, and my sister.

“Identity verified.” the ‘7800 retracts its face into the wall and the city gates open.

“’Bout time, I thought we’d be there all year!” J.J. hates waiting.

     This is the northern part of town. A hundred years ago, they called this L.A. What is left of that time is all around us, the ruins of a by gone, era before the Corporate Wars of ’87 and the deconstruction of Federal America. Now International Mega-Corps control everything, except the Badlands. There is nothing out there to control. Weather makes it impossible terrain.

     We ride past a gang of Dead Boys. Silicon rocker, refuges of the past. Wanna be rock stars, hard wired full of meta-dope. I nod and show them my heat. They snarl and one of them tosses me the finger. Everybody hates code runners, everybody except the Company. That is why we can go anywhere in the city. Including Soni-Tower West, which is where we’re headed, I should get three mil for this run. Chump change, I know, but J.J.’s gotta eat. I run code to stay alive; I am not built for anything else, Soni owns my system. One day I hope to buy out, take J.J. north to Canada, I hear there are still free humans there in the wilderness.

     I pull up to the entrance of the tower, my dusty Akira 900 reflecting in the glass giant’s door. I look up at the demon, stretching up into the smog. Two-hundred and forty-five stories of Soni glory. Inside are over a billion employees carefully controlling the products of the entire Southwest of Soni-America. I park my bike and tell J.J. to stay put. She has a tendency to run off.

“I know, I know, I’m 15 you know!” she gripes. Shit was I getting old. How long it had been, I thought. I sold myself to Soni when I was 15, to protect J.J. from logo-traders. She was just five years old then, God, ten years! I should upgrade my software, before my next run. Carrying all this code was starting to take its toll. I was still one of the best though. Soni 3.10 Beta model XR, built to run. Nobody checks me as I hop on the elevator and push the top floor button. Employees mill about as company Vids flash on the walls. I watch a new music ad by one of the new company bands. Electro-shock punks in pinstriped holo-suits, their all the rage in Japan I hear. I do not care; I just drink synthohol and run code. I step out of the elevator into the boardroom. An enormous sterile white room, no satellite can penetrate. My O.S. always acts funny in here. I stand at the far end of the 200 ft. black marble table. The board member heads whir and bob as they stare silently at me. Synthoid attendants scurry about making necessary adjustments to keep their frail bodies alive. Some of the older members date back to the pre-merger years. The CEO blinks slowly his eyes seem as cold and lifeless as the silicon detectors of the border guard.

“Do you…have (whizz), our product…Mr.James?” he says as attendants rush to pump chemicals into his dying body. I nod as I eject the disk from my CPU, and I put the disk into the slot on the table. A holo-screen appears above the table. Endless code feeds down. The board members all nod their clunky square heads vaguely smiling.

“My pay?”

“2 million credits will be processed to your account Mr. James.”

“2 million This is worth 3” fucking stiffs! I should unplug their data banks.

“You will accept our payment, or we will delete you Mr. James.”

“This is high-way robbery.” I knew they would shit me, they always do.

“Thank you that will be all.” I accept my credits and walk out, tripping one of the attendants on my way. “We will contact you soon Mr. James.”

“Yeah you do that!” I say, flipping them the bird.

 

     When I come back outside, I find J.J. playing with some ones meta-pup, an artificial Pomeranian, probably some corporate wives toy.

“Leave that thing alone.” I say, snatching her up and putting her back in the sidecar. “Get outta here ya mutt!” I yell

“They stiffed you again?” she groaned, “How much this time?”

Just then, from behind us, I hear a woman’s voice say, “Is Fife bothering you?”

I turned around slowly, and came face to face with the loveliest human I had ever seen. At that moment, I envied every “toy-boy” ever built. She was tall (around 5’9”), with long smooth Alabaster legs, her hips curved like an hourglass into her waist. Her pale breast were supple and healthy, they even looked real. Her long blonde hair draped over them, curling ever so at the ends, parting gently down the center, enveloping her smooth angular face. Tracing every nuance of it as if it were a tailor made hologram. Her eyes were like crystal oceans, like some glazed over alloy-meth junkie. She was no junkie. She wore a Chrome LCD dress, 19 million easy. Around her neck hung an 80 million-credit Micron Crystal necklace, which tears dropped between her ample bosoms. Her wrist sparkled with diamonds and platinum. Her hands carefully manicured as were feet, which arched upward in clear techno-pumps. J.J. nudged me out of my coma. I had lost my speech ogling at her framework.

“Snap out of it Jay!” she mumbled.

I was not used to seeing human women like this one. Most were poor drug addicted, logo-whores who lived on the outskirts in the ruins. I had seen Vids of outlanders who roam the Badlands. I once heard humans still lived in purity in New Zealand. One day I hoped J.J. would make it to places where humans remain free.

“Company man?” she asked playfully. She walked by me and traced a finger across my jacket, bending down to pick up her tiny dog. “What’s your name company man?”

“Jason James.” I say mesmerized by this vision. “Yours?” I asked

“Aurora Hito.” She whispered. I could feel her hot breath. The name rang in my head “Hito”, like a chime. Then I remembered. Nagasaki Hito was a grand programmer I eighty-sixed once, a genius who had developed a special code that mimicked something or another. The company was very pleased with that one 15 mill I think.

“Any relation to Nagasaki?” I questioned, though her features were only slightly, Japanese.

“He was my father.” She said with a quite smile. A gasped I realized that she was no human, but the code I had run, or the result of the code I had run anyway. I think she knew it too. In fact, I know she did.

“What’s the matter Soni-Boy?” she circled me smiling, caressing the poly synth alloy of her Meta-Pup. My eyes grew wide, if my throat could dry-it would have.

“I ran you?” I asked almost smugly.

“Reeeally.” She said softly. I lifted up my t-shirt showing off my hardware. She bent over examining my mainframe with her glimmering eyes. That is when I noticed how their crystal hue shifted in shades depending on the light. She touched her shining red lips with one of her long sharp fingernails. Her pup barked at my humming CPU.

“I was inside there?”

“Best ware in the house. 80,000 MHz, 500, 000, 000 RAM, 75,000,000 megabytes, Pentell 3000 silver processor chip.” I boasted, “Titanium chassis, synth alloy joints, poly dexterous appendages.” I can tell she is unimpressed.

“Nice hardware.” She says smiling seductively.

“What about you?” She did not answer but from the looks of it was a brand new model I had never laid eyes on before. There was nothing even suggesting synthetic parts. Seamless she could pass for a 100%er any day. I was in love.

“Can we go now?” J.J. said getting impatient, she was always jealous of other girls.

“Shut-up J.J.!” I said, but not too harshly.

“Cute human-yours?” she asked

“My sister.”

“A.I.?” Aurora asked already knowing the answer.

“Pure lady and I’m hungry!” now J.J. was insulted.

“J.J. Things were quickly getting out of hand.

“Oooo…A hundred per center. Rare, you say she is your sister?”

“Yeah…”

“Yeah! And I’m staying that way! My brothers gonna buy out and take me to Cananada!”

“Canada you mean.”

“Yeah-Cananada!” J.J. knew full well how to pronounce Canada.

“J.J. cool your jets, just…” I yelled

“Well she started it (STUPID SYNTH)!” J.J. snapped

“Biomechanicalsynthazoid?” Aurora said almost quizzically

“Well la-tee-da!” J.J. chided

“Hmmm.” Was all she said smiling

“Well, we gotta be going” I said trying to end this tense exchange. I reluctantly kicked stated my bike.

“Yes, well nice meeting you Soni-Boy.”

“Maybe I can call you some time?” I say

“I don’t think my designate would approve of that.” She looked sheepishly around; I should have known she was too good to be true. Probably some asshole V.P.’s private toy.

“But I can call you.”

“Well here’s my mainline. Use it wisely.” I gave her a wink before I put on my helmet. Then J.J. and I sped off into the Soni night. I was definitely in love. I needed a drink.

 

     We head up Alphabet St. to my favorite local bar, Molly’s, zooming past the meta-heads and Dead Boys, skidding through the traffic of cabs and garbage droids, young lovers in dark alleys and vampire teens. The city’s shit at this level, no sunlight, no ritzy Soni execs or glamorous movie stars, just the wretched and the refuse. That is why I like it. I have always thrived on the danger and adventure. I keep J.J. safe, though. Molly’s is pretty, tame, and Molly herself loves J.J., takes real good care of us both. I park my bike out front with the rest and activate the safety catch. 600,000 volts should keep the rats off. We make our way in through two Hood rats fighting over some girl. The place smells, of blood, synthohol, and urine, there is only one empty stool at the bar, J.J. takes it quickly. I walk up behind the scrawny cyber-Goth sitting to her left, and breath on him. He laughs nervously at his own reflection in my helmet mask. I cock back and black his eye, knocking him out of his seat. I catch the stool and prop myself up at the bar. Molly comes over shaking her head.

“You Bully.” She says, sauntering over to us, puffing on a long cigarette.

“Hey…” I say, “Everybody’s gotta be something.” I chuckle

“That was a paying customer.” Molly smiles blowing smoke from her nostrils.

“Yeah, yeah, details, detail.” I reply

“How’s it going kid, still 100%?” she says to J.J. changing the subject. Molly did not care about cyber-Goth kid in all his silly make up and big hair.

“100% pure Grade A meat!” J.J. prides herself on that fact. At least I have taught her that much.

“Sweet, what’ll it be the usual.”

“You betcha!”

“Room Ready?”

“Room 23 as usual Jay.”

“You’re a doll, Molly.” I give her a wink and pluck the smoke from her mouth.  I take the key card from her fingers at the same time. “Watch the kid for me,” I say before getting up and stepping over the cyber-Goth on the floor.

“Sure thing killer!” molly says and blows me a kiss.

     I make my way up the stairs to our usual room, stepping over passed out drunks pissing themselves. Molly’s is an old-fashioned place. Young cyper-punks with clunky VR helmets melting what is left of their brains in booths lined against the wall. Old fashioned techno-rock bands, thrashing on a tiny dimly lit stage. Neon booze signs hung about flickering over drunken borgs, and drugged out ex-corporate soldiers. The place stank of smoke and piss, and thick clouds hung over head.

 

     I swipe my card in the lock and step into the dark room. The lights flicker when I press the button. I take off my jacket and toss it on the bed, with my helmet. I fall into my favorite chair, and kick off my dusty black boots. They were almost with from my last run across the Mohave. I hate going to Texas, there is nothing worse than cyborg-rednecks and Honky-Tonk, Robo-whores. I remove the rest of my clothes and step into the shower. The hot water blast my circuits wet washing my external hardware. The water is brown as it runs down the drain. All of a sudden, my wrist-com goes off. I press up the screen and low and behold its Aurora, she looks nervous as she holds her Robo-pup up to her chin, stroking its titanium alloy hide.

“Can I see you tonight Soni-Boy.”

“Couldn’t resist eh?”

“I’m sorry; I just really need to talk. I was hoping you could help me.”

“You need someone dead?”

“Meet me at the Paraguay.” She said then she was gone.

 

     I get out of the shower and throw on some of my nicer clothes. I meet Aurora over at the Paraguay and we order a drink. I cannot stand the trendy assholes that hang around this place. The club is brightly lit, and filled with morons who fill the place. To most citizens nothing is lower than a 100% human. In a time when we as people have long since transcended issues of race, religion, sex and politics, class warfare is still waged. CEO’s are at the top of that food chain. They are either clones, grown in laboratories like, fruit, or half-dead ancients barely kept alive by pride and machines. Underneath CEO’s are executives and their families. Execs are all most always clones, they are wives and children clones as well, or augmented humanoids bred for positions of power. Clones live half as long as humans but do exactly what their told (for the most part). Most citizens work in the corporate offices that tower over the city. They are made up of expensive company made cybernetics like me. They are programmed and run directly by the Company, most were only human for a few years before their parents sold them into company slavery. Their parents were either company employees or worse. The next lines are dregs and scabs, the grunts of the new human order. Half-human, half-machine, made outside the Company by competitors or defunct mini-corporations. Sometimes you find 100%ers who desire to be cyborgs but cannot afford it. They sell their children to the company to afford their own cybernetics. I call those people bottom feeders-I hate them. Real 100%ers take pride in their heritage and fight to remain free. A few of us cyborgs support their cause. We are viewed as less than cybernetic so we operate undercover. I however wave my sympathy banner high by caring for my sister J.J. in my opinion there are many things out there worse than 100% humans. Moreover, most of them gather at the Paraguay to socialize.

     We take my bike up to the old Hollywood Mountain. The decayed ancient sign once a symbol of America, it now reads H-O-L=Y-O-D. It made about as much sense as this night. I removed my helmet and let the warm air blow over my shaved head, running my hand over the stubble. From here, you can see everything in the south part of the city. The main complex consumed most of what was Los Angeles. The factories and energy plants spread out across the northern side into the horizon. You could see the lights of China town, and the dreg district. Where Molly’s was, and my sister sat up waiting for me to come home. You could see the ocean too; they say that 500 years ago it was further out. Now it was slowly swallowing up the city, just not as fast as Soni-Corp had.

“It’s beautiful from this view” she remarks “If you like neon and glass monstrosities.” She added.

“It’s hard to believe it got so bad so quick. Did you know that just a hundred years ago this was all most a computer free state? Back in what was once America? Radical Anti-government groups had turned California and much of the west Coast into a human paradise.”

“A paradise if you like no-tech warriors hunting techies with spears.” She says that with a smile that melts me.

“But they were making it work.” I chirp back, “That was until the government made one last attack.”

“Yeah, I know all about it, and then came the Thirty-Year War, that brought done the whole good old USA. That is how corporations came in and took over everything a thousand years ago.”

“Blah, blah, blah…What does that have to do with you and me?”

“Do you know what I really am Mr. James?”

“A sexy borg with a few loose microchips?”

“I am not a borg Mr. James.”

“Let’s cut the games lady-no more of this Mr. James mess, I’m Jay got it! Now let’s have it!”

“Well, Jay, I am Nagasaki Hito’s greatest design. I am sentient code. I think for myself, I self replicate, and need no programmer ever. I was written so shall I be.”

“Get out of here. Sentient code cannot exist. You have to be programmed.”

“I am not programmed.” She says, I stare at her in awe, but I tried to look unfazed, I think I came off confused looking. “I was up loaded into this mainframe and I am completely autonomous. That is how I can travel without the company knowing where I am. That’s how I was able to go through your system and find out about Nepal, Beijing, Texas and all of your non-Company jobs.”

“So what you want, to black mail me, to run code for you. Who are you working for?”

“I work for no one Mr.-Jay. I do however have a mission for you.”

“I’m listening.”

“I must awaken my creator. He holds a missing piece of my…Code.”

“What are you talking about; I got all of you when I lifted you off Hito’s system. And besides he’s dead, I killed him.”

“No…You did not. What you killed was one of two clones, another is still out there and he has the rest of me. In order to be complete I must have that code.”

“If the company cannot track you, then why don’t you go to him yourself?”

“For one; I am assigned as the wife of a CEO, and not only that, the other Hito is in Mexico!”

“Mexico! I hate Mexico!”

“His exact whereabouts are unknown, but with your resources I’m certain that you can find him.”

“Who says I’m taking this job.”

“I’ll make it worth your while.”

“I’m listening.”

“50 million credits.”

“Ppsshhh. You can forget it lady, that’s standard company pay.” Of course, I would not let her know that I had been stiffed three jobs in a row. “Why should I risk my contract for 50 mil?”

“100 million credits, Mr. James.”

 “Agggh…What do I have to do?” I sighed.

 

     I got back to my room at Molly’s around three. J.J. was asleep in the chair, T.V. still on blaring, some flashy cartoon. I pick her up and bring her to bed. She cracks open her eyes and mumbles ‘How is she?”

“Go back to sleep” I whispered and kissed her forehead. She was warm, as humans are supposed to be. I place her in bed and pull the covers over her. Then I suit in my chair and stare blankly out the window, shutting down my internal system. Tomorrow is going to be a long day-we are going to Mexico.

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